![]() Shot in Des Moines Iowa in the early 70s and screened in church basements, Campus Crusade for Christ mixers and the most late-night public access, these films have had a tremendous influence on generations of dispensationalist Evangelicals while generally ignored by godless Midnight maniacs. "Before Apocalypse, before Left Behind, there was one Evangelical film series willing to look at what became of the earth after the ascension of all good souls into heaven: A Thief in the Night. *Program website, "Best of Spectacle 2017"ĭance Goddess (1987), Dark Star (1974), Day of the Wolves (1971), The Pink Egg (2016), A Grin Without a Cat (1977), Your Vice is a Locked Room and Only I Have the Key (1972), Sisters, or the Balance of Happiness (1979), Scrubbers (1982), The Hellstrom Chronicle (1972), Baxter, Vera Baxter (1977), The Beaver Trilogy (1979 - 1985), Rubin and Ed (1991), The Scarlet Scorpion (1990), The Excluded (1982), La Grande Boufee (1973), History Lessons (2000), 4D Man (1960), Bumming in Beijing (1990), The Secret of the Mummy (1982), The Rider of the Skulls (1965), Johanna D'arc of Mongolia (1989), Daughters of Darkness (1971)Ī Thief in the Night - Midnight Series Trailer (2:23 min) - Editor (2018) "Best of Spectacle 2017" - Series Trailer (1:30 min) - Editor (2018) People Like Us website, "Two Nights of Screenings at Spectacle Theater Brooklyn" Spectacle program website, Do You See What I Hear: Two Nights with "People Like Us" Premiere) and Citation City (NYC Premiere). All aspects of cinematic sound – a composed score, music, spoken language – are used to reflect the connections between image and narration creating a very specific atmosphere, whereas the “real“ backstory of a work is often revealed much later, be it the history of an abandoned salt mine in Romania or a portrait of a high-tech funeral home in Australia.People Like Us - The Mirror and Citation City - Premiere Trailer (1:08 min) - Programmer, Editor (2018)Ī retrospective of the audio-visual collage artist People Like Us (Vicki Bennett), featuring the theatrical versions of The Mirror (U.S. Occasionally, this duration becomes a metaphor for the literal “lifetime” of protagonists, objects, and buildings. ![]() Precisely composed images expose their own constructedness and testify to the artist’s interest in cinematic duration. Like in the horror-movie genre he works with audiovisual situations which affect the bodies of the spectators, provoking an uncertainty, sometimes a slight restlessness. “A kind of black humor pervades Patrick Topitschnig’s videos. Patrick Topitschnig is an Austrian filmmaker and audio artist whose works also include collaborations with theatre projects. With this film and all her others, Catalina Alvarez gets to know her neighbors. Her 16mm shorts include Paco, the story of a man who wants you to bounce on his lap. ![]() In her anthology documentary, Sound Spring, residents of Yellow Springs, Ohio become actors lip-syncing to their own interviews, narrating their village’s role in American history over hundreds of years. Schnitzl, 2006, 15sec, Video, Austria, Patrick TopitschnigĬatalina Alvarez makes choreographed films and experimental musicals. RUMOR MACCHINA, 2009, Video, 2:44, Austria, Patrick Topitschnig Paco 2016, 16mm film transferred to Video, 12 min, USA, Catalina Alvarez Mark&Garry, 2013, Video, 7:20, Australia, Patrick TopitschnigįELD, 2019, Video, 5:21, Mexico, Patrick Topitschnig ![]() KRIPPE/CRIB, 2012, Video, 6:06, Austria, Patrick Topitschnig ![]() Wherethereisawill, 2005, Video, 2:42, Austria, Patrick TopitschnigĬarusel, 2017, Video, 5:47, Romania, Patrick Topitschnig Fluxers filmmakers Patrick Topitschnig and Catalina Alvarez will present a selection of films at Williamsburg’s cooperatively led Spectacle Theater. ![]()
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